Tentacles and Little Paws

It was all tentacles and little paws on deck this past month as my West-Mont students and I tackled two large collaborative quilt projects.

Quilting with children on a large scale like this (58 students) is not for the faint of heart. This project is prep heavy, coming in at over 55 hours of personal prep time.

Status: Worth it!

I would like to thank the estate of  Kay Reamsbotham for the generous donation of all the quilting fabrics.

This is truly a collaborative project, with older students pitching in to help with sewing buttons or threading needles and tying knots. Karly even became our resident "whisker expert." Once she learned the stitch technique for making whiskers, she helped teach the other students who needed to make whiskers.

And talk about confidence boosting.When 6 year old Nowa chose the hardest square on the octopus to make he assured me with joyful confidence that this was the square for him.

Here's how the project and prep breaks down:

1. Prime, draw and paint a pattern onto canvas that is the size you want your quilt to be (8 hours prep). 

2. Measure and cut the canvas pattern apart into 6 inch squares (1 hour prep).

3. Prepare fabric scraps by cutting them into 8 inch squares. This is when the students get to choose the pattern square they want, as well as their fabric choices. I always prepare about 10% extra, so that the last students choosing their fabrics still have options (4.5 hours prep).

4. Translating the pattern to fabric; I used tracing paper to create the fabric pieces to be sewn. I chose to do this for the students as it is a complicated and time consuming step. I imagine smaller classes and older students could manage this step for themselves. The prepared squares are then put into embroidery hoops (8 hours prep).

5. We are almost ready to sew now. The last step is to prep the threads. Ordinary thread tangles too easily and embroidery thread is too thick. The solution is to separate the 6 strands of embroidery thread into strands of two. I wind the threads onto card stock, ready for threading. I then thread the needles and coil them into egg cartons to keep them tangle free. This has to be done multiple times before the quilts are done, and is a really nice step for the students to help out with (3 hours prep).

6. Ready to sew! Here is Nowa's square that he has been sewn and is waiting to have it's buttons added.

7. Piecing the squares together is when the magic happens. Have fun! The fabric can then be quilted with batting and backing and decorative trim (25 hours prep).

It took my students about three art classes each to sew their quilt squares. (Other misc tasks between classes 6 hours prep). 

These beautiful quilts will be on display during the Stinking Fish Studio Fall Show at the West-Mont School.

Up cycle Recycle Dadcycle

I have been stealing my dad's clothes for as long as I can remember.

 I especially love stealing his shirts. This plaid shirt is without a doubt my favorite old squishy, cozy, comfy! But, it was huge on me and very unflattering. I wore it anyways.

Recently I started thinking about ways to up cycle this shirt into something more stylish. I loved the character design of Elphias Doge in the Harry Potter movie The Deathly Hallows. I couldn't get over all those layers!

It isn't exactly practical, so I went for a modest version with two layers.

The first step was to modify shirt #1 by removing the sleeves, narrowing the shoulder yoke, shortening and resetting the sleeves, adding the cuffs and adding waist-shaping. I made sure to keep the integrity of sewing the flat felled seams you usually find in men's shirting.

Now, for shirt #2. I used the pockets, back hem, front button bands and collar. I love all the quirky details of this shirt, which is now a long fitted tunic. My favorite details are the double collar and cuffs!

Autumn knitting...my old friend.

“But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you.” 

― Stephen King, Salem's Lot

I knit this sweater last Spring, just as the weather was turning and it was too hot to wear it. I wanted a thick and squishy, flannel lined, Celtic cabled sweater suited for an old man sipping scotch and smoking cigars. I have been waiting all this time to be able to wear it.

Tame

"If you tame me, then

we shall need each other."

Le Petite Prince

"Tame"

acrylic and grease pencil on paper mounted board

30" x 30"

Time Lapse Video:

created by Raine Menzies

Vera's Dress

You know you are getting on in years when you start taking fashion advice from Vera Stanhope. Every week I watch Brenda Blethyn brilliantly portray DCI Vera Stanhope, a well upholstered Geordie woman of a certain age. As she trudges across the Northumberland countryside solving murders, I have come to notice one thing: her shirt dresses. Underneath her floppy fishing hat, shapeless green coat and mass of personality flaws, Vera wears beautiful shirt dresses. Ha! They probably thought no-one would notice. But once I saw her green linen floral dress, I couldn't unsee it. I became obsessed.

But as a 5 foot 3 inch curvy woman with an E Cup bust, I can't exactly buy off the rack. So now that frumpy Vera Stanhope had inspired this tomboy to start wearing dresses, what was I to do? I often sew tunics for myself, but once I sew something big enough to fit the bust, the rest of the garment is too large and sloppy. Enter the FBA, or the full bust adjustment. Had my prayers been answered?  Before I dove into my stash of expensive fabrics, I gave it a go with some muslin.

An FBA goes a little something like this:

Step: Select a pattern size based on the smallest measurements of your torso; your upper bust and waist. Draw the pattern out onto Swedish tracing paper.

Step 2: Cut your pattern piece apart and add in the extra room you will need. You can find many FBA tutorials online that will walk you through this process.

Step 3: Add extra paper and redraw your dart lines.

The size difference between the pattern size I needed and the FBA adjustment pattern was 3 whole sizes! Now add the fact that I needed a pattern size 4 sizes bigger than my waist measurement to fit my...ahem... va-va-va-voom arse, well, no wonder it sucked big time trying to buy ready to wear clothes off the rack.

After sewing a muslin and making several adjustments along the way I was ready to sew up this adorable sleeping fox fabric. And why not knit a little sweater to go with it? I mean, once I decided to walk the ledge of being girly, why not jump right off the Northumberland cliff so to speak.

So, girly fabric and yarn in hand, off I went to knit and sew my very own version of a "Vera" dress.

FYI: 

Fabric: Napping Fox by Tula Pink

Dress Pattern: McCall's 6696

Yarn: Noro Solo in Olive

Sweater Pattern: Miette, found here on Ravelry

http://www.ravelry.com/patterns/library/miette

Little Bird

This painting is new. Not only is the paint still wet, but it is new to me in the sense of experimenting with new techniques. So new, in fact, that I'm not quite able to articulate yet what the painting, or even the techniques used to create it, mean to me. Over the weekend I had over 125 people in my studio, many of whom offered their observations to me: powerful, mesmerizing, revealing, phasing. My favorite though was ethereal. I like this one because more than any other painting I have done, this one is all about the muse; the girl, who is herself ethereal. She is delicate in a way that is too perfect for this world. And it took a delicate hand to translate this onto canvas.

"Little Bird"

30" x 30" acrylic and grease pencil on paper mounted board

If you would like to watch a time lapse of this painting being created, you can check it out here:

If you would like to watch a video of me attempting to articulate about the painting, you can check that one out too.

https://www.facebook.com/stinkingfishstudiotour/videos/10154327133079235/

Estate Sale

Eleven years ago I won an ward at our prestigious Sooke Fine Art Show. It was my first big art award, which included a gift certificate to an art store. I treated myself to a large, thick canvas, on which I painted the first of many self portraits. I loved this painting, and had never intended to sell it. But alas, they don't call us starving artists for nothing. With small children to feed, I was forced to sell this painting. I was never sad because this painting went to the best home possible; an avid art collector and president of an arts council. Recently, this lovely woman has had to sell her estate, and my paintings have found their way home again. She has asked that I resell my paintings for her. Sadly, I still fit the bill for a starving artist and cannot afford to buy them for myself. So, my loss is your gain.

"Maintenance"

30" x 30" acrylic on canvas

$500 Estate Sale

"Lisey"

14" x 26" Framed

$350 Estate Sale

"Fumblin' With the Blues"

16" x 16"

$300 Estate Sale